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\pnlcrm\pnstart1\pnindent720\pnhang {\pntxtb (}{\pntxta )}}\pard\plain \ltrpar\ql \li0\ri0\sa200\sl276\slmult1\nowidctlpar\wrapdefault\faauto\rin0\lin0\itap0 \rtlch\fcs1 \af31507\afs22\alang1025 \ltrch\fcs0 
\fs22\lang1031\langfe1031\loch\af31506\hich\af31506\dbch\af31505\cgrid\langnp1031\langfenp1031 {\rtlch\fcs1 \ai\af37 \ltrch\fcs0 \i\f37\lang9\langfe1031\langnp9\insrsid7344230 \hich\af37\dbch\af31505\loch\f37 THE CUT UP METHOD
\par \hich\af37\dbch\af31505\loch\f37 
At a surrealist rally in the 1920's Tristan Tzara the man from nowhere proposed to create a poem on the spot by pulling words out of a hat. A riot ensued wrecked the theatre. Andre Breton expelled Tristan Tzara from the movement and grounded the cut ups o
\hich\af37\dbch\af31505\loch\f37 n\hich\af37\dbch\af31505\loch\f37  the Freudian couch.
\par \hich\af37\dbch\af31505\loch\f37 
In the summer of 1959 Brion Gysin painter and writer cut newspaper articles into sections and rearranged the sections at random. Minutes To Go resulted from this initial cut up experiment. Minutes To Go contains unedited unchanged cut 
\hich\af37\dbch\af31505\loch\f37 ups emerging as quite coherent and meaningful prose.
\par \hich\af37\dbch\af31505\loch\f37 The cut up method brings to writers the collage which has been used by painters for fifty years. And used by the moving and still camera. In fact all street shots from movie or still cameras are by the u
\hich\af37\dbch\af31505\loch\f37 
npredictable factors of passers by and juxtaposition cut ups. And photographers will tell you that often their best shots are accidents . . . writers will tell you the same. The best writing seems to be done almost by accident but writers until the cut up
\hich\af37\dbch\af31505\loch\f37  \hich\af37\dbch\af31505\loch\f37 
method was made explicit-- (all writing is in fact cut ups. I will return to this point)--had no way to produce the accident of spontaneity. You can not will spontaneity. But you can introduce the unpredictable spontaneous factor with a pair of scissors.

\par \hich\af37\dbch\af31505\loch\f37 T\hich\af37\dbch\af31505\loch\f37 
he method is simple. Here is one way to do it. Take a page. Like this page. Now cut down the middle and cross the middle. You have four sections: 1 2 3 4 ... one two three four. Now rearrange the sections placing section four with section one and section 
\hich\af37\dbch\af31505\loch\f37 t\hich\af37\dbch\af31505\loch\f37 
wo with section three. And you have a new page. Sometimes it says much the same thing. Sometimes something quite different--(cutting up political speeches is an interesting exercise)--in any case you will find that it says something and something quite de
\hich\af37\dbch\af31505\loch\f37 f\hich\af37\dbch\af31505\loch\f37 
inite. Take any poet or writer you fancy. Heresay, or poems you have read over many times. The words have lost meaning and life through years of repetition. Now take the poem and type out selected passages. Fill a page with excerpts. Now cut the page. You
\hich\af37\dbch\af31505\loch\f37  \hich\af37\dbch\af31505\loch\f37 
have a new poem. As many poems as you like. As many Shakespeare Rimbaud poems as you like. Tristan Tzara said: "Poetry for everyone." And Andre Breton called him a cop and expelled him from the movement. Say it again: "Poetry is for everyone." Poetry is a
\hich\af37\dbch\af31505\loch\f37  \hich\af37\dbch\af31505\loch\f37 place and it is free to all cut up Rimbaud and you are in Rimbaud's place. Here is a Rimbaud cut up.
\par \hich\af37\dbch\af31505\loch\f37 "Visit of memories. Only your dance and your voice house. On the suburban air improbable desertions ... all harmonic pine for strife. The great skies are o\hich\af37\dbch\af31505\loch\f37 
pen. Candor of vapor and tent spitting blood laugh and drunken penance. Promenade of wine perfume opens slow bottle. The great skies are open. Supreme bugle burning flesh children to mist."
\par \hich\af37\dbch\af31505\loch\f37 Cut ups are for everyone. Any body can make cut ups. It is experim\hich\af37\dbch\af31505\loch\f37 
ental in the sense of being something to do. Right here write now. Not something to talk and argue about. Greek philosophers assumed logically that an object twice as heavy as another object would fall twice as fast. It did not occur to them to push the t
\hich\af37\dbch\af31505\loch\f37 w\hich\af37\dbch\af31505\loch\f37 
o objects off the table and see how they fall. Cut the words and see how they fall. Shakespeare Rimbaud live in their words. Cut the word lines and you will hear their voices. Cut ups often come through as code messages with special meaning for the cutter
.\hich\af37\dbch\af31505\loch\f37 
 Table tapping? Perhaps. Certainly an improvement on the usual deplorable performance of contacted poets through a medium. Rimbaud announces himself to be followed by some excruciatingly bad poetry. Cutting Rimbaud's words and you are assured of good poet
\hich\af37\dbch\af31505\loch\f37 r\hich\af37\dbch\af31505\loch\f37 y at least if not personal appearance.
\par \hich\af37\dbch\af31505\loch\f37 All writing is in fact cut ups. A collage of words read heard overhead. What else? Use of scissors renders the process explicit and subject to extension and variation. Clear classical prose can be composed entirely of
\hich\af37\dbch\af31505\loch\f37 
 rearranged cut ups. Cutting and rearranging a page of written words introduces a new dimension into writing enabling the writer to turn images in cineramic variation. Images shift sense under the scissors smell images to sound sight to sound sound to kin
\hich\af37\dbch\af31505\loch\f37 e\hich\af37\dbch\af31505\loch\f37 
sthetic. This is where Rimbaud was going with his color of vowels. And his "systematic derangement of the senses." The place of roescaline hallucination: seeing colors tasting sounds smelling forms.
\par \hich\af37\dbch\af31505\loch\f37 The cut ups can be applied to other fields than writing. \hich\af37\dbch\af31505\loch\f37 
Doctor Neuman in his Theory of Games and Economic Behavior introduces the cut up method of random action into game and military strategy: assume that the worst has happened and act accordingly. If your strategy is at some point determined ... by random fa
\hich\af37\dbch\af31505\loch\f37 c\hich\af37\dbch\af31505\loch\f37 
tor your opponent will gain no advantage from knowing your strategy since he can not predict the move. The cut up method could be used to advantage in processing scientific data. How many discoveries have been made by accident? We can not produce accident
\hich\af37\dbch\af31505\loch\f37 s\hich\af37\dbch\af31505\loch\f37 
 to order. The cut ups could add new dimension to films. Cut gambling scene in with a thousand gambling scenes all times and places. Cut back. Cut streets of the world. Cut and rearrange the word and image in films. There is no reason to accept a second r
\hich\af37\dbch\af31505\loch\f37 a\hich\af37\dbch\af31505\loch\f37 te product when you can have the best. And the best is there for all. "Poetry is for everyone" . . .
\par \hich\af37\dbch\af31505\loch\f37 Now here are the previous paragraphs cut into four sections and rearranged:
\par \hich\af37\dbch\af31505\loch\f37 ALL WRITING IS IN FACT CUT UPS OF GAMES AND ECONOMIC BEHAVIOR OVERHEARD? WHAT E\hich\af37\dbch\af31505\loch\f37 
LSE? ASSUME THAT THE WORST HAS HAPPENED EXPLICIT AND SUBJECT TO STRATEGY IS AT SOME POINT CLASSICAL PROSE. CUTTING AND REARRANGING FACTOR YOUR OPPONENT WILL GAIN INTRODUCES A NEW DIMENSION YOUR STRATEGY. HOW MANY DISCOVERIES SOUND TO KINESTHETIC? WE CAN N
\hich\af37\dbch\af31505\loch\f37 O\hich\af37\dbch\af31505\loch\f37 
W PRODUCE ACCIDENT TO HIS COLOR OF VOWELS. AND NEW DIMENSION TO FILMS CUT THE SENSES. THE PLACE OF SAND. GAMBLING SCENES ALL TIMES COLORS TASTING SOUNDS SMELL STREETS OF THE WORLD. WHEN YOU CAN HAVE THE BET ALL: "POETRY IS FOR EVERYONE" DOCTOR NEUMAN IN A
\hich\af37\dbch\af31505\loch\f37  \hich\af37\dbch\af31505\loch\f37 
COLLAGE OF WORDS READ HEARD INTRODUCED THE CUT UP SCISSORS RENDERS THE PROCESS GAME AND MILITARY STRATEGY, VARIATION CLEAR AND ACT ACCORDINGLY. IF YOU POSED ENTIRELY OF REARRANGED CUT DETERMINED BY RANDOM A PAGE OF WRITTEN WORDS NO ADVANTAGE FROM KNOWING 
\hich\af37\dbch\af31505\loch\f37 I\hich\af37\dbch\af31505\loch\f37 
NTO WRITER PREDICT THE MOVE. THE CUT VARIATION IMAGES SHIFT SENSE ADVANTAGE IN PROCESSING TO SOUND SIGHT TO SOUND. HAVE BEEN MADE BY ACCIDENT IS WHERE RIMBAUD WAS GOING WITH ORDER THE CUT UPS COULD "SYSTEMATIC DERANGEMENT" OF THE GAMBLING SCENE IN WITH A 
\hich\af37\dbch\af31505\loch\f37 T\hich\af37\dbch\af31505\loch\f37 EA HALLUCINATION: SEEING AND PLACES. CUT BACK. CUT FORMS. REARRANGE THE WORD AND IMAGE TO OTHER FIELDS THAN WRITING.}{\rtlch\fcs1 \ai\af37 \ltrch\fcs0 
\i\f37\lang9\langfe1031\langnp9\insrsid7344230 
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